Wilf Amis: microtonal synth nerdery, well-disguised bad singing, textural plunderphonics, arhythmic breaks and blown out kicks

Alec Gordon noise in a variety of “saturated” states, driving noise through numerous cycles of feedback, often using frequencies that occupy the entire range of human hearing

Martin Hurych field and documentary recordings, codes and synths, installations and platforms. exaggeration and worm humor, sensitive to social problems

František Hruška improvised sound-light performances focus mainly on the concepts of playfulness in music, issues of communication, and sound ecology